A handover ceremony was held by the Chinese Embassy in Washington, DC, on Wednesday.

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A new set of signs will be erected at a cost of $84,000 to the taxpayer, says a new letter from Interior Secretary Doug Burgum.

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Artists Paul Chan, Oliver Wasow, Pablo Helguera, and Harold Ancart consider the notion of a post-book future.

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In October, Sotheby’s Paris is auctioning a rare trove of Impressionist and Modern art from the secretive Jeanne Schlumberger collection, estimated to be worth over $45 million.

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Here's what we're reading this morning.

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Peter Max came up in the 1960s with the likes of Andy Warhol, Roy Lichtenstein, and Keith Haring.

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Half of the list is made up of artists, while the other half consists of the people who sell, curate, and collect their work.

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Beginning in 1948, the list will be read uninterrupted until it is exhausted.

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Costantini spoke to ARTnews on the occasion of MALBA's 25th anniversary this year.

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Plus, Sarah Michelson speaks to the New York Times about presenting her art at MoMA in our market-fueled art world.

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Collectors are “discerning” and “thoughtful,” say advisers, but even in an uncertain market, waiting lists haven’t completely vanished.

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As a collector, Black is known to spend millions on art, dropping eight or nine figures for a single work.

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Monday’s lawsuits are the first such cases filed in California that could benefit from new legislation designed to help recover Nazi-looted art.

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The new five-story wing is named for emeritus trustee Oscar L. Tang and his wife H. M. Agnes Hsu-Tang.

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Preserving Assisi allows users to virtually explore the sacred space, while establishing a detailed record that will be used to support research and conservation.

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Liang used his own silk farming methods to direct silkworms onto objects they would inhabit and cover with soft sculptural formations.

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Some works from the TBA21 Foundation, created by Francesca Thyssen-Bornemisza, will be displayed in the new building, slated to open in 2032.

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JR’s massive installation 'Diluvium' was inspired by an illustration of a biblical flood from 1886 by Gustave Doré.

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