For its 175th anniversary, The New York Times and XYZ Type pair a custom 175 blackletter mark with archival collage branding across print. Typed straight out in Ed Benguiat’s NYT Fraktur, the numerals...

18 hours ago 2

Studio Yukiko turned the Bundeskunsthalle catalogue Everything At Once into a tomb for postmodernism, built from stone and loud colour. The cover says it plainly. A grey stone slab, carved with the wo...

21 hours ago 0

Principal and Index-Design pair James with Office Sans in the graphic design for Semaine Design de Montréal 2026 across print and badges. Framed inside a matte-black lanyard holder on raw-seamed grey ...

21 hours ago 0

Turner Duckworth rebuilt the Vocation Brewery identity around one watchful eye, bold colour and paired beer names like Life and Death. The work starts from a return to roots. Turner Duckworth stripped...

1 day ago 0

Studio Gabriele Colia pairs green-ink diagrams and Fedrigoni paper in the editorial design of Nea Magazine Issue N.3 on non-places. Down the exact center of pages 12 and 13 in Nea Magazine – Issue N.3...

1 day ago 0

London studio Dutchscot crafts a Belle Époque visual identity for Brooklyn cocktail bar Bar Rêve with wobbly script and a 222 monogram. Named after the French word for dream, Bar Rêve sits at 222 Smit...

1 day ago 2

&Walsh built the BATCH Brand Identity on a blocked matte wordmark, film grain and Pre is the new post, for film mattes in hours, not months. BATCH makes software that pulls mattes, the cutouts tha...

1 day ago 4

ESH Gruppa pairs a stencil-cut monogram with calm cream-and-ochre UI/UX design for contemporary gallery platform NM Art & Design. NM Art & Design runs both a collectible contemporary gallery a...

1 day ago 3

Trading pixel grids for backcountry ridges should never mean accepting hideous tactical gear. Here is our edit of trail objects that respect good design. Disclosure: Abduzeedo is reader-supported. Whe...

1 day ago 2

HOW+HOW built Snooz ice cream branding around two eclipsed moons, starry skies and flash-lit nights, for the only sweet that helps you sleep. Sixty percent of ice cream gets eaten after 6pm, and sugar...

2 days ago 2

Stanley Pulvirenti pairs soft-edged industrial design with animated Pomodoro eye states for Toki, a tactile desk timer and mobile widget. Named after the Japanese word for time, Toki tackles a familia...

2 days ago 4

Montreal studio Caserne builds Téléfilm Canada’s brand identity around a 30°–70° projector-beam grid, SN Skandia type, and die-cut print. Supporting Canadian and Indigenous cinema from early script de...

2 days ago 3

Slanted Publishers pairs open-spine editorial design with ten grid-type.com stencil typefaces in GridType Vol. 1: Type & Tools. On the uncoated cover of GridType Vol. 1: Type & Tools, stepped ...

2 days ago 3

Pearlfisher rebuilt the CVS store brand as one disciplined system, a single heart and flat colour blocks across 3,000 products in 9,000 stores. Stack 3,000 products on one wall and the idea lands in a...

2 days ago 2

Mother Design gives psychic readings a new visual language in the Purple Garden branding, built on a living glyph, growing type and dawn colour. The project started with a séance. Mother Design sat wi...

3 days ago 1

Etter Studio crafts an uncompromising web design portfolio featuring generative character animations and diverse interactive projects. Zurich-based Etter Studio approaches the web with a stripped-back...

3 days ago 1

Inside Zed by Typotheque: Peter Bilak turns low-vision legibility trials into a 500-style global typography system on TYPE01. Peter Bilak started Zed at independent foundry Typotheque with a blunt typ...

3 days ago 1

Local Type Co. explores expressive typography with Shuffle Variable, blending bouncy curves and sharp geometry across twelve weights. Most contemporary sans serifs aim for cold mechanical neutrality, ...

3 days ago 2